Being from the South, Silver is a very big part of my life. It doesn't have anything to do with wealth. Although those with more money - old money, tend to have more of it. New money tend not to spend their money on Silver. They do not have the appreciation for the warmth of the metal, the beauty of the patina, the story it tells of the generations past who have used it. A true southern girl comes of age when she chooses her silver pattern, long before she chooses her mate. If she is smart, she chooses that of her mother, grandmother, or favorite great aunt who in their benevolence will pass their silver on to her. It is the pieces in those sets, the pieces on our tables, along with the pieces we find in the corners of the displays in antique stores that prompted me to start this blog. They are beautiful, they are odd, but what are they, and what in the hell do you do with them?
The Wired Cheese Cutter is just as it is named. The thin wires are very efficient at cutting slices of cheese from larger pieces. Most are of similar, however note the difference in the Jensen design below. Athene by Amston (1913)
Troubadour by Frank Whiting (1950) (8 1/8 inches)
Royal Danish by International (1939) (8 3/8 inches)
Colonial Rose was introduced in 1948 by Amston. The pattern is a simple one with a simple motif of roses on the tip and bottom of the terminal. Casserole Spoon (9 1/8 inches)
Poultry Shears were designed to cut up whole chickens after they were cooked. You will note, as opposed to the design of the Grape Shears, the Poultry Shears are much longer to better serve their mission. Also they are much less expensive, usually under $200 a pair. Here are some more examples of Poultry Shears. Violet by Wallace (10 1/2 inches)
Athene by Amston (10 5/8 inches) Sovereign-Old by Gorham (10 1/4 inches)
Isadore A. Lipman designed the pattern Ecstacy for Amston in 1951. It has a simple floral motif garnishing the tip of the terminal cascading just slightly down the side of the terminal a bit. The stem is clean of any lines or ornamentation with the exception of a brief touch of floral on the very tip just at the shoulder. Master Butter Knife (6 7/8 inches) Salad Fork (6 3/8 inches)
Amston introduced Champlain in 1915. The design is age less in both boldness and beauty. The lines of the terminal are similar to those of Gorham's Chantilly, except Champlain's have much more festive tip on the terminal and on the top of the stem.
Although Amston did not introduce Arcadia until 1949, it has the lines of an older more traditional pattern. It was designed by Isadore A. Lipman. The terminal is elongated with a roped edge of leaves. Steak Carving Fork (9 1/4 inches)
It is that time of year when the flowers bloom and we are reminded that winter has finally passed. "Spring" was a popular theme with silver designers. Here are a few examples. Breath of Spring II by Amston (1952) Fork (7 1/8 inches)
Spring Glory by International (1952 ) Designed by Lillian V. M. Helander Seafood Fork (5 5/8 inches)
Springtime by International (1935) Designed by Alfred G. Kintz and Frederick W. Stark Seafood fork (5 5/8 inches)
Springfield Engraved by Unger (1900) Dessert Spoon (7 1/8 inches)
The Wired Cheese Cutter on first glance may look like an odd piece to be in a silver pattern, but it has its place. It is well designed to slice through large hunks of cheese. Lily Floral by Frank Whiting (8 1/2 inches)
The Long Handled Sardine Serving Spoon and Fork are much longer than the regular size pieces which are typically 4 1/2 - 6 inches long. Also, you will note that the tines and end of the fork are much smaller. The regular Sardine Fork (I posted on earlier) has a much wider shoulder and tines. Josephine by Frank Whiting (8 1/8 inches)
Amston introduced Donatello in 1912. The pattern has a busy design on the terminal that resembles bunches of grapes or hanging leaves. Although the terminal indents in, it is edged with a design that fills in the dip. The stem is plain, there is a simple embellishment on the the top of the shoulder and the shoulders of the serving pieces are edged with a design. The pattern strikes me as more modern that its Edwardian years. Gravy Ladle (6 1/2 inches)