Being from the South, Silver is a very big part of my life. It doesn't have anything to do with wealth. Although those with more money - old money, tend to have more of it. New money tend not to spend their money on Silver. They do not have the appreciation for the warmth of the metal, the beauty of the patina, the story it tells of the generations past who have used it. A true southern girl comes of age when she chooses her silver pattern, long before she chooses her mate. If she is smart, she chooses that of her mother, grandmother, or favorite great aunt who in their benevolence will pass their silver on to her. It is the pieces in those sets, the pieces on our tables, along with the pieces we find in the corners of the displays in antique stores that prompted me to start this blog. They are beautiful, they are odd, but what are they, and what in the hell do you do with them?
When antiquing with my friends, I am always searching for sterling pieces while they look for furniture etc. They have long since passed being intrigued by my finds. However, when I came upon one of these pieces, one of them commented, "That looks more like a torture device." And, so perhaps this Joint /Roast Holder does. It is designed to hold a large roast or other piece of meat while it is being cut.
Individually, many pieces look alike unless they are compared with other peices in the same pattern. Also, I often come across pieces that only few patterns (or few manufacters) include. Perhaps a "Fruit Cocktail Spoon - Individual in one pattern is exactly like a sherbet spoon in anther! All that said, I could only find one example of a Fruit Cocktail Spoon. Repousse by Kirk Stieff (5 3/8 inches)
Another selection of Gumbo Soup Spoons. I have posted on these earlier. Chantilly by Gorham (6 5/8 inches) Repousse by Kirk Stieff (& 5/8 inches) Marlborough by Reed and Barton (7 1/4 inches)
Although I have found references to this piece in many patterns, I could only find an example in Kirk Stieff's Repousse pattern. Here is the Individual Fruit Cocktail Fork .
The Ramekin Fork, one of those Victorian pieces everyone needs when serving that perfect individual souffle to each of your dinner guests. Typically smaller than a Salad Fork or a Fish Fork. I have posted on these earlier. Chesterfield by Gorham (5 inches) Etruscan (1913) (4 7/8 inches) by Gorham Meadow Rose (1907) (5 inches) by Watson Repousse (1896) (5 1/2 inches) by Kirk Stieff
One of the most elegant patterns in sterling, the pattern that is the flagship of its style Repousse by Kirk Stieff was introduced in 1828. And while there are many that may bear the name and may be similar in design, this is the original one. Teaspoon (5 7/8 inches)
I never even knew this piece existed until last week when one of the owners of a favorite antique store of mine pulled a set out. I had no idea what they were until she revealed they were a set of sterling Corn Spears, used to genteelly hold an ear of corn, allowing the diner to enjoy the corn without touching the cob.
Based on the book, Silverware of the 20th Century, the Top 250 Patterns, the following is the list of the top 50 patterns (in alphabetical order). Two caveats here: this is silverware of the 20th century and there were some lovely patterns of the 19th century and this is the First Edition of this book, published in 1997. More interesting is that out of these 50 patterns, 2 are stainless (ST) and 5 are silver plate (SP), leaving 43 sterling (SS) Any way the top 50 most popular patterns (in alphabetical order) are: Buttercup by Gorham Candlelight by Towle Chantilly by Gorham Classic Rose by Reed and Barton Coronation by Onieda/Heirloom (SP) Daffodil by International (SP) Damask Roseby Onieda/Heirloom Eternally Yours by International (SP) Fairfax by Gorham First Love by International (SP) Francis I by Reed and Barton French Provincial by Towle Grand Baroque by Wallace Joan of Arc by International King Richard by Towle Old Master by Towle Prelude by International Remembrance by International (SP) Repousse by Kirk Stieff Rondo by Gorham Rose Point by Wallace Royal Danish by International Shelley by Onieda/Heirloom (ST) Strasbourg by Gorham Venetia by Onieda/Heirloom (ST)
A truly utilitarian piece, the Joint Holder was designed to hold the joint of a piece of meat with one hand while the other held the knife for carving. They are rather large pieces from 10 to 11 1/2 inches/
Several years ago I posted on sterling "shears", both Grape and Poultry. Here I am going to focus on Grape Shears. These were designed as utensils to use when serving grapes to cut the fruit from the pulpy stems. The handles are usually ornate. These pieces are not easy to come by and can run anywhere from $500 to as much as $2000 a piece retail. Chrysanthemum by Tiffany (6 5/8 inches)
Once again, some examples of the One Tine Butter Pick as I have posted on before, one of the more interesting pieces in every flatware pattern. Repousse by Kirk Stieff (6 inches)
The Corn Butterer is a unique piece that does exactly what it is called. The end that holds the butter is usually made of silver plate with the handle being made of sterling.