The Story Behind this Blog

Being from the South, Silver is a very big part of my life. It doesn't have anything to do with wealth. Although those with more money - old money, tend to have more of it. New money tend not to spend their money on Silver. They do not have the appreciation for the warmth of the metal, the beauty of the patina, the story it tells of the generations past who have used it. A true southern girl comes of age when she chooses her silver pattern, long before she chooses her mate. If she is smart, she chooses that of her mother, grandmother, or favorite great aunt who in their benevolence will pass their silver on to her. It is the pieces in those sets, the pieces on our tables, along with the pieces we find in the corners of the displays in antique stores that prompted me to start this blog. They are beautiful, they are odd, but what are they, and what in the hell do you do with them?

Monday, November 11, 2013

Charles II by Lunt

Not to be confused with the Charles II pattern by Dominick and Haff I posted on earlier, this Charles II pattern was introduced by Lunt in 1934. And, unlike the other pattern which was designed by Gilbert Crowell, Frederick W. Koonz designed Lunt's pattern. Koonz also designed American Victorian and Modern Victorian for Lunt.

The design of this pattern consists of fruits and flowers at the base of the terminal and the top of stem. The terminal has an open area suitable for engraving. The embellishment at the bottom of the stem and on the shoulder is elegant and substantial. This is truly a beautiful pattern.

Bullion Soup Spoon  (5 1/8  inches)








Large Jelly Server (6 1/4  inches)
Large Solid Jelly Server

Baby Fork (4 5/8 inches)

Baby Fork

Butter Spreader (6 5/8  inches)

Butter Spreader Hollow Hdl-Paddle/Stainless Blade






Friday, November 8, 2013

Lady Wynn By Mount Vernon

Mount Vernon introduced Lady Wynn in 1912. This is a different pattern with a chalice and embellishments that have an imperial look to it. There is a shield on the terminal suitable for an initial. The design on the bottom of the stem and the shoulder follows the imperial theme. 



Fork

Salad Fork  (6 1/8 inches)

Individual Salad Fork


French Hollow Knife (9 1/2 inches)

Old French Hollow Knife in the Lady Wynn (sterling, 1912) pattern by Mount Vernon Silver

Dessert Oval Soup Spoon (7 inches)


Dessert/oval Soup Spoon in the Lady Wynn (sterling, 1912) pattern by Mount Vernon Silver

Wednesday, November 6, 2013

Chapel Bells by Alvin

J. Russell Price designed Chapel Bells for Alvin and it was released in 1939. It is a very simple pattern with (what I can see as) a motif of leaves in two slim lines going down either side of a straight terminal. The stem continues with a line on either edge. If you look at the modern simplicity of the Bon Bon spoon, you can see how the design is no longer one of the elaborate Victorian or Edwardian periods.

Large Salad Serving Fork (9 inches)




Lemon Fork (4 1/2 inches)





Bon Bon Spoon  (4 5/8 inches)





Baby Fork (4 1/8 inches)





Monday, November 4, 2013

Autumn Leaves by Reed and Barton

Reed and Barton introduced Autumn Leaves in 1957. It was designed by William L. Lafftery. The pattern is very simple with one leaf and a trailing branch adorning the stem.


Lemon Fork (5 1/8 inches)



Tomato Server (8 1/4 inches)

Sugar Tongs (4 inches)



Friday, November 1, 2013

Rose by Mount Vernon

There are at least 175 patterns with Rose in their name (Wedding Rose, Wild Rose, Tea Rose, Rose Bud, just a few examples) and 7 alone simply named "Rose". That said, Mount Vernon's Rose, which they introduced in 1910, exhibits a wonderful use of the Rose motif. There is a rose in full bloom with buds at the end of the terminal, leaving a nice area suitable for engraving. Then the top of the stem is adorned with another rose blossom with leaves and the vine trailing down the stem to the top of the shoulder. This makes for a beautiful romantic piece, typical of the Edwardian period.

Fork (7 1/2 inches)




Pie Server (10 5/8 inches)

Teaspoon (5 7/8 inches)



Wednesday, October 30, 2013

Autumn by Frank Whiting

Autumn by Frank Whiting was introduced in 1888. It is a lovely ornate pattern with a design of leaves and fruits and berries on the terminal and a vine trailing off down the top of the stem.

Demitasse Spoon (3 5/8 inches)





Small Berry Spoon


Monday, October 28, 2013

Princess by Shiebler

Shiebler introduced Princess in 1874. The terminal has a radiant fan like pattern surrounded by an area of small vines and leaves. The stem is decorated with a thin thin line that leads to the top of the shoulder where one finds another radiant fan. The pattern is stately but simple. At 139 years old, it has aged well.

Table Serving Spoon  (8 1/2 inches)
Tablespoon (Serving Spoon)



Old Style Pickle Fork (8 1/8 inches)

Old Style Pickle Fork




Friday, October 25, 2013

Wedding Rose by Watson

Of the many "Rose" patterns, here is Wedding Rose, a pattern introduced by Watson in 1900. It was designed by Joseph E. Straker, Jr. The terminal is tipped with rose blossoms and there is one at the end of the stem just at the top of the shoulder - simple but well balanced.

Toast Serving Fork  (7 5/8 inches)
Solid Toast Serving Fork

Sugar Spoon  (6 1/8 inches)
Sugar Spoon

Cheese Scoop (6 inches)
Cheese Scoop, Solid Piece

Fork  (7 1/8 inches)
Fork

Wednesday, October 23, 2013

Sheraton by Mount Vernon

Mount Vernon introduced Sheraton in 1912. This is a unique pattern of scrolls and lines. Note the clean medallion on the terminal for engraving. 

Dessert Spoon (7 1/4 inches)











Oyster Fork (6 inches)

Monday, October 21, 2013

Countess by Frank Smith

Frank Smith introduced the pattern Countess in 1928. It is a stately and elegant pattern with just enough flourish to make it stand out from the Chantillys of the world, but still reserve enough not to be called excessive.

Flat Handle Butter Spreader (5 5/8 inches)

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Cocktail Fork (5 1/4 inches)

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Bon Bon Spoon (4 3/4 inches)

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Vegetable Serving Fork (8 1/4 inches)

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